An introduction to the Art of Penguin Science Fiction.
Early Penguin science fiction, Edward Young's classic cover design and Jan Tschichold's refinement of it.
Hans Schmoller and science fiction in the vertical cover format.
The transition from typographical to pictorial covers.
Tony Godwin, Germano Facetti and the Marber grid, 1960–62.
Modern art and part one of the Penguin Science Fiction series, 1963–66.
The ones that got away.
Alan Aldridge and part two of the Penguin Science Fiction series, 1966–67.
Science fiction in Penguin Modern Classics.
Pop Art and Alan Aldridge's psychedelic covers of 1967.
The panic of '68, its impact on science fiction, and the arrival of David Pelham.
Take Time Out with Penguin Science Fiction in 1968.
Franco Grignani's science fiction covers of 1969-70.
The Penguin John Wyndham, with artwork by Harry Willock in 1970.
What goes around comes around: sequels, reprints and strange recurrences in the early 1970s.
David Pelham's minimalist triptych of 1971.
David Pelham's iconic cover design for A Clockwork Orange in 1972.
David Pelham's science fiction covers of 1972-73.
Relaunching J G Ballard in 1974 with David Pelham's celebrated cover art.
A lustrum of change, a medley of guises, as Penguin sf experiments with style in 1974-79.
John Wyndham's posthumous entry to the Penguin pantheon in 1979-80, with cover art by Peter Lord.
A new series, a new logo and cover art by Adrian Chesterman in 1979-82.
Selling science fiction in 1983-86.
Penguin pays tribute to the golden age of sf with a Classic Science Fiction series in 1987-88.
Science fiction in Penguin Classics from Abbott to Zamyatin.
Penguin Twentieth-Century Classics, and Modern Classics for the twenty-first.
Edward Young's original Penguin cover makes a comeback.
The Art of Penguin Science Fiction in print.
Penguin science fiction covers year by year, from 1935 to the present day.